Good small shows have always projected a special appeal. Productions like the new Golden Nugget musical "The History of Sex".

Las Vegas is no stranger to mega-productions that overwhelm audiences with special effects and production numbers that may have tidal wave power but occasionally lack a genuine heart and soul.

Years ago there was a wonderful small production on the Strip that celebrated the provocative dancing and rhythms associated with the tango. Lacking a big marketing budget and commitment from any one resort, it quickly left town never to be seen again. Too bad.

"Dream Street" developed something of a cult following during the 15-16 months it was at the Dunes and Desert Inn during the early 1980's. I remember a concert featuring Peter Allen and Bernadette Peters. I caught them one night on the Strip and have often replayed the evening in my mind. It was a great one-time event. There was a long ago evening filled with the mesmerizing vocals of Gloria Loring and Jack Jones. This was also at the Dunes, another one-time four-wall deal, as I recall. The continuing success of "Forever Plaid" at the Flamingo Hilton is another example of the fact that good or wonderful is not synonymous with the size of the budget or the cast.

The newest Golden Nugget venture includes songs with fresh and funny lyrics based on current news stories. It also has some of the most satisfying choreography to be found on a showroom stage in Las Vegas right now, all interpreted by about a dozen fine dancers. Director and choreographer Ted Pappas who was brought in from Broadway to put "Sex" together does a wonderful job of taking familiar situations and tweaking them here and there, re-arranging elements in a fashion that reflects a thoughtful feel for the moment. The results are scenes that brim with heart and soul. Or, as others might say, real attitude.

"The History of Sex" reflects a high level of polish and careful production. But what would anyone expect from a company whose other Las Vegas shows are "Siegried & Roy" at the Mirage and "Mystere" at the Treasure Island.

One other thing. Call it a bit of a warning for those who expect more skin then they will get. "Sex" succeeds because of the quality of it's singing and dancing, including a fine job by Broadway veteran Michael Gruber who fronts the show. There is only one extended topless number. Comedian John Padon contributes a very funny 10-15 minutes.